As I’ve already admitted, I actually came close to giving up on this book when I was only a few chapters in to it. In fact, to be honest, I nearly gave up on it a couple of times. I’m really glad that I didn’t though, because once I’d got past the stuff about the protagonist’s childhood in Mexico I was completely hooked, and of course, as is always the case with these things, once I’d got to the end I suddenly understood just how vital to the plot those first few chapters were, and how important it was that I’d read them properly and not just skipped over them (as I was sorely tempted to do).
The story follows the life of the writer Harrison Shepherd, who is the product of a short-lived marriage between a dull and disinterested American father, and a spirited, flamboyant Mexican mother. It begins in the late 1920′s, when Shepherd’s parents have already split up, and when his mother has taken him with her back to Mexico; and it ends in the late 1950′s, when McCarthyism is at its height (Shepherd has moved back to the US by this point), and when Shepherd’s writings and past associations with communists such as Diego Rivera, Frida Kahlo, and Leon Trotsky have brought him to the attention of the House Committee on Un-American Activities.
In the period in between this Shepherd grows from boy to man: he briefly attends school in the US, and then, following his expulsion from the place for some mysterious “scandal” involving him and another (male) student, he finds work, first as one of Rivera’s plaster mixers, then as a cook in the Rivera/Kahlo household, and then later as Trotsky’s translator/secretary and some time confidante.
Following Trotsky’s assassination Shepherd returns to the States and there begins his new career as a writer. Well, I say new, but in actual fact Shepherd has spent almost his entire life writing, as the journal entries and letters that Kingsolver uses to make up the bulk of the book attest. Let’s say instead then that he becomes a professional writer, penning best-selling Aztec novels, and achieving such popularity that he’s eventually driven to hide away from his rapidly growing army of fans.
He hires a secretary, Violet Brown, to help him cope with the daily deluge of fan mail, and it is Brown who, following his disappearance, ultimately pieces together the story of his life, carefully transcribing notebooks and letters that Shepherd thought had been successfully destroyed.
And if any of that sounds boring, trust me, it’s not (well okay, apart from the first bit, but persevere and I promise you you won’t regret it). Kingsolver is an accomplished writer, and she manages to bring alive an intriguing period of history, one which I for one knew very little about. I’d never heard for instance of the Bonus Army before I read this book, and I have to confess to being completely ignorant of the Rivera/Kahlo/Trotsky friendship as well.
Don’t get me wrong, this is fiction: but it’s fiction that’s based on true historical events and people, and it’s written with the same consummate storytelling skills that Kingsolver brought not only to The Poisonwood Bible, but also to her earlier works.
The Lacuna is a cracking read, and Kingsolver well deserved to win this year’s Orange Prize for it.
Recent Comments